Russia

Bernard Comrie and Gerald Stone's The Russian Language since the Revolution (OUP 1978) provided a comprehensive account of the way Russian changed in the period between 1917 and the 1970s. In this new volume the authors, joined by Maria Polinsky, extend the time frame back to 1900 and forwardto glasnost in the mid 1980s. They first consider changes in the pronunciation, morphology, syntax, and vocabulary of the language and then examine the effects of social change on the language in chapters on the changing staus of women, modes of address and speech etiquette, and orthography. They show that changes in all these areas have been very substantial, and explore the extent to which the standard language, as portrayed in dictionaries and grammars, coincides with the actual usage - both spoken and written - of educated Russians. (Section 6. Sex, Gender, and the Status of Women on p.231 )

Originally published in 1996, this collection of fascinating essays by leading western and Russian specialists gives an overview of key issues in Russian women's writing and of important representations of women by men, between 1600 and the present. This volume contributes to the contemporary feminist project of rediscovering many hitherto unjustly neglected Russian women writers and sheds further light on the literary construction of women's identity by Russian men. It combines a study of the history and biography of women writers with close readings of literary texts, and explores certain controversial issues in Russian women's literary studies such as whether there is a separate women's literary tradition in Russia, whether the treatment of the woman question by Russian male writers reflected women's interests and experience, and whether a feminist reinterpretation of Russian women's literature is possible or even desirable.

The first reference work in any language devoted to Russian women writers, this dictionary systematically covers, in detail, the lives of 448 women who wrote from the period of Catherine the Great to the present. Despite their significant achievements, women writers are generally missing from the canons of Russian literature. The present editorial team individually began the process of uncovering this lost literary heritage over ten years ago. More recently, they joined forces with and enlisted contributions from scholars in North America, Europe, and Russia. Each entry comprises a bio-critical sketch followed by lists of important writings in the original and in translation, archival sources, and major secondary references. Data has been researched worldwide, with biographical information culled from diaries, memoirs, and other primary sources as well as literary histories and reference works. A general bibliography supplements the secondary sources provided with each entry.

The fascinating collection of essays, covering a wide range of topics from the patriarchal roots of Russian folklore to more current issues such as homosexuality and the law, seeks to. rehabilitate Russian women's history and trace its connection to the present situation in which feminism is not officially recognized by the state, and to forge stronger links with the international women's movement.

This collection of essays, all by Russian scholars, is the first of its kind to address a broad English-speaking audience. It presents the theories and methodologies employed by Russian national historiography to make sense of Russian gender and women's history. The essays in this volume discuss women's and gender history in Russia, highlighting sensitive areas in the Russian academic community and in Russian society in general.

A survey of the key political, economic, social, and cultural developments in Russian women's history from 900 to 2010, and their impact on the nation. Synthesizing several decades of scholarship by historians East and West, Barbara Evans Clements traces the major developments in the history of women in Russia and their impact on the history of the nation. Sketching lived experiences across the centuries, she demonstrates the key roles that women played in shaping Russia's political, economic, social, and cultural development for over a millennium.

A History of Women's Writing in Russia traces comprehensively the lives and works of Russia's women writers from the Middle Ages to the present. Contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist, looking at how Russia's women writers articulated their own experience, and re-assesing their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.

Mapping the Feminine honors the extraordinary life, path-breaking career, and pioneering scholarship of a truly modest woman--Professor Marina Viktorovna Ledkovsky, Barnard College emerita. In fifteen essays that are nearly evenly divided between eighteenth- and nineteenth-century subjects on the one hand, and twentieth- and twenty-first-century subjects on the other, contributors cover some of the main areas of gender studies, encompassing transnational studies, cultural studies, the recovery of forgotten women, and the male canon. Comparative in their scope, the articles are grouped according to the following theoretical approaches: psychology and the gaze, nature, performance, exile, and canon.